Soulmate in hand, she fought until the end
Footprints in sand, spiral shell to fend
Be mine! Be mine! Sending signal
Laugh for life is such a riddle
And craft an experience that is so grand
Be mine and your reflection sop in hand
To his rue, that water is so shallow
Draft a speech no matter what she hallow
Sham that! Sham that! For they believe
Together they can do it to qui vive
That’s anything and what they can manage
Sham that and get on with the new challenge*
* The Staccato, created by Jan Turner, consists of two or more 6-line stanzas.
Rhyme scheme: a,a,b,b,c,c
*Required internal rhyme scheme interplay between line #1 and line #2 (see below explanation and examples).
Meter: 10, 10, 8, 8, 10, 10
Repeats: This form requires a 2-syllable repeat in Lines #3 and #6 as specified below.
As in a musical notation, The Staccato poetry form uses short repeats which are abruptly disconnected elements. The repeat words are read as rapid-fire speech, such as staccato music when played or sung. This form lends itself to strong emotion or instruction (i.e. military poems: “Charge on! Charge on!” etc.), a declaration (such as of an event: “We’re married! We’re married!” etc.), an instruction or emphasis of human emotion (such as love, hate, longing: “Be mine! Be mine!” etc.), strong observation (such as “Those eyes! Those eyes!” etc.) or any similar situation where a strong staccato repeat is desired.
The emphatic two-syllable repeat in this poetry form is written twice, consecutively, at the beginning of Line #3 (each repeat in Line #3 is followed by an exclamation mark), and once again at the beginning of Line #6 (with or without an exclamation mark in Line #6).
Also, Line #2 requires an internal rhyme scheme that rhymes with a word within Line #1, usually falling on the 6th syllable (see examples below), but can fall earlier in those two lines as long as the internal rhyme matches the syllabic stress in both lines.