Weekend Writing Prompt #16 – Colours

colours

I woke up and the sun’s bright yellow
Happy to start the day
I wore my blue jeans, more like marines
Went to market, bought my greens and whey

Swam in a pool with blissful white foam
Then met my friend for coffee
More like marines, I wore my blue jeans
Had red tea then went for shopping spree

Indigo and violet ice-cream
And she peels her orange fruit
I wore my blue jeans, more like marines
Then we went for our afternoon scoot*

(c) ladyleemanila 2017

* The ZaniLa Rhyme, a form created by Laura Lamarca, consists 4 lines per stanza.
The rhyme scheme for this form is abcb and a syllable count of 9/7/9/9 per stanza.
Line 3 contains internal rhyme and is repeated in each odd numbered stanza.
Even stanzas contain the same line but swapped.
The ZaniLa Rhyme has a minimum of 3 stanzas and no maximum poem length.

For: Weekend Writing Prompt #16 – Colours

Weekend Writing Prompt #15 – Intricate

vines-coiling

Oh the intricacies of life
He loves her, she loves another
Two men fight for the same woman

One needs another holiday after having one
It wasn’t that easy getting what you want
Oh the intricacies of life

All is fair in love, they say
Still, some are not equal than the others
He loves her, she loves another

Fiction or non-fiction? Hard to tell
Which one is following which?
Two men fight for the same woman*

(c) ladyleemanila 2017

* Cascade, a form created by Udit Bhatia, is all about receptiveness, but in a smooth cascading way like a waterfall. The poem does not have any rhyme scheme; therefore, the layout is simple. Say the first verse has three lines. Line one of verse one becomes the last line of verse two. To follow in suit, the second line of verse one becomes the last line of verse three. The third line of verse one now becomes the last line of verse four, the last stanza of the poem. See the structure example below:

a/b/c, d/e/A, f/g/B, h/i/C

For: Weekend Writing Prompt #15 – Intricate

#SoCS June 3/17 – “whether/weather”

Whether the weather is lovely
Sunny or not we’re out cycling
To say thanks for what life can bring
We are so happy to be free
We sing a song we all belong
Climb a mountain or swim in sea
Thanks for the food we love cooking
Whether the weather is lovely

So glad we have this family
We may be afar but still cling
Support each one no need asking
When we’re together life is glee
Don’t get us wrong, we are strong
Challenges, we face life bravely
Count our blessing, life is a zing
So glad we have this family*

(c) ladyleemanila 2017

st-margaret-of-antioch-knotting-4

*
The Octain, full name Octain Refrain, is a form of poetry developed by English poet Luke Prater in December 2010.

It comprises eight lines as two tercets and a couplet, either as octosyllables (counting eight syllables per line), or as iambic tetrameter, whichever is preferable. Trochaic tetrameter also acceptable. The latter yields a more propulsive rhythm, as opposed to iambs, which lilt.

As the name suggests, the first line is a refrain, repeated as the last (some variation of refrain acceptable). Rhyme-scheme as follows –

A-b-b
a-c/c-a
b-A

A = refrain line. c/c refers to line five having midline (internal) rhyme (e.g. here/sneer), which is different to the a- and b-rhymes. The midline rhyme does not have to fall exactly in the middle of the line, in fact it can be more effective and subtle, depending on context, to have it fall earlier or later.

The High Octain is simply a double Octain, but as one poem – the refrains are the same, a- and b- rhymes are the same, but actual words are different, and the c/c line with the internal rhyme can optionally be rhymed in the second instance. There is no restriction on the level of repetition, but in most cases the stipulated refrain A is enough; this may even feel too repetitive and need varying. As a general guideline, changing up to four syllables of the eight still retains enough to feel like the refrain. The end word must remain the same.

The structure of the High Octain is one single after another with a break in between; alternatively, it can be written as two blocks of eight lines:

A-b-b-a-c/c-a-b-A
A-b-b-a-c/c-a-b-A [or d/d instead of c/c]

It is also possible to write a piece consisting of a string of single Octains (the rhymes of which would not usually correspond).

For: The Friday Reminder and Prompt for #SoCS June 3/17, Weekend Writing Prompt #5 – Gratitude

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